# 1915   Rick Springfield-
                I'VE  DONE  EVERYTHING  FOR  YOU


                                                                                                                         Working Class Dog, RCA Records, 1981
   commentators
 You've done nothin' for Matt or Jason!
  
Matt       Jason

       Ken's done everything for you...

      you've done nothing for Will!




BILLBOARD CHART ACHIEVEMENTS:


                  Pop Singles:  # 8



          Top Ten at  MATT RADIO

Rick Springfield was born Richard Springthorpe in Sydney, Australia in 1949.  His father was a career soldier, and Rick grew up on army bases around the country.  He received a guitar for his thirteenth birthday and described his love of playing as "as hardcore as you can get at sixteen."

Rick's first band, The Jordy Boys, played regularly in the rough pubs of Melbourne, leading him to leave school and join his first full time rock band, Rock House.  They earned a reputation strong enough to be invited to play to troops in Vietnam during the late 60's.

Back in Australia, Rick moved into the now legendary pioneering Australian rock act Zoot.  He joined with Beeb B, who went on to join the Little River Band, and Daryl Cotton, who went on to form the also now legendary Sherbet.  Zoot soon became one of the biggest acts in Australia and had a top 10 single with a cover of "Eleanor Rigby," styled in the band's unique, relentless pop/rock style.  Rick subsequently won awards for the country's best guitarist and composer.

Rick's debut solo single "Speak To The Sky" hit  # 1 in Australia in 1971, prompting record company interest from the States. He was subsequently signed to the Capitol label, which sent him to London to record his debut album, Beginnings.  Originally released in 1971 in Australia, the album was released the following year in the United States, from which a remix of  "Speak To The Sky" reached the top 15.
 

Rick said at the time, "I raced over there thinking, this is it!  But things didn't quite work out that way."  He went on to describe the next few years as the worst of his life, mainly because he wasn't in control of his direction.  The record label was trying to mold Rick into the next David Cassidy.

"Yeah, 'Speak to The Sky' was a hit over here, but it didn't really translate to the album.  The album was a bit different... you know, marketing me as a teen idol when the stuff on the record was not what teen idols were doing at the time."


There was actually a lot more to Rick than your average teen idol, as he was not exactly mainstream pop.
  The 1973 album Comic Book Heroes proved that.  It was critically acclaimed but commercially did not live up to expectations.  The cover art to Comic Book Heroes remains as legendary today as when it was first released.  It featured Rick in a white superhero outfit, with a gatefold sleeve that has comic book art for each song title.  "I had always loved comic book artwork," Rick explains. "I saw something like that in a magazine and thought it would look good on the album.  It was a little confusing for some people, though, 'cause some people didn't quite get it."

Unfortunately there were also problems with immigration officials and unhelpful management.  One of the questionable decisions made by management and the label was to take Rick's Comic Book Heroes cover concept and turn it into an animated TV series.  Starring Springfield as himself, "Mission Magic" featured him as a crime-fighting superhero, complete with musical soundtrack,
released in 1974.  In keeping with the times, the lead song was titled "We're Gonna Have A Good Time."

"Yeah, that was a mistake," Rick laughs.  "I don't know.  They started out with all these great ideas of "Yellow Submarine" but ended up a Xeroxed version of every other cartoon show on the air.  So it was fairly unadventurous and a little disappointing.  But it was a writing exercise for me, a new song every week.  I played myself.  It was a very bizarre concept.  I got residuals from it for quite a while.  It was really strange."

This is where Rick decided he had to get off.  Fighting for release from his record label and management contract took two years out of his career.

"Yeah, I took one of my infamous breaks.  For about three or four years I was sorting out contractual problems, trying to get out of my contract.  I signed everything away when I first came here(to America).  I was pretty green.  I got taken advantage of in certain ways, signed my life away; then when I wanted to leave it was very difficult.
There was nothing I wanted to do, so I just took the time off.  I kind of made that a habit, a couple of years between albums."
  It was a financially strained period in which Rick was for the most part flat broke.  He continued writing and recording and in 1976 released an album, Wait For Night, for the Chelsea Records label.  In a bizarre twist, upon the release of the album the label promptly went bankrupt and prematurely closed down his musical career once again.  This time the gap between albums was not to be his own doing.

"It was pretty traumatic," admits Rick of the situation, "but I think I was already working on some new stuff, so as long as I am working on new stuff, I have a focus.  There were certainly no telltale signs of it going under; it was a complete surprise."  How did he survive during those hard years?  "Er, girlfriends!" 

"Actually, strangely enough, Mission Magic supported me for a decent amount of that time.  Residuals from Australia, from the "Mission Magic" show.   I remember being broke and getting a couple of checks every now and then.  That saved my butt.  So there is a reason for everything." 

Rick began to pursue acting and was coached by people such as Vincent Chase and Malcolm McDowell.  With a friend he rented a tiny theater in Hollywood to present plays for friends and relatives and anyone else who was interested.  Springfield created sets and costumes and worked out lighting for the plays.  A representative of Universal was convinced by one of these plays and signed the actor to a two year contract.  What followed was an endless round of guest appearances on shows like "The Six Million Dollar Man," "The Rockford Files,"  "The Incredible Hulk," and "Wonder Woman."  At this point Rick was actually faring better as an actor than as a musician.

Another set of recordings led to further trauma in Rick's life.  Beautiful Feelings was originally recorded in 1978.  It didn't see the light of day until 1982, when it was released without Rick's approval or his involvement, excepting the vocals.

"That was an album we couldn't get a deal on.  It was the manager I was with.  The next album I did was Working Class Dog; then I separated from them and they put Beautiful Feelings out as kinda, 'Well, we've still got this!'  They took everything off, except for the vocals.  It was some old songs and they just added the horrible Hollywood studio crap."

Continuing with his acting, Rick landed his biggest acting break by becoming a regular on the hit daytime soap "General Hospital" as Dr. Noah Drake.

You were on there for a few years, weren't you?

"No, about a year and a half, but it was at a time when it was a really successful show."

Never giving up on music, Rick wrote and recorded new songs, mainly because he needed new material to play live and tour with.  A tape of those songs found its way to RCA.

"Actually, the boss at RCA had always liked Comic Book Heroes.  No one wanted to sign me at that point, and they kinda thought about it for a year and said, well, okay, let's try it!  I had written a bunch of songs, because I was getting ready to go out and play 'em, and those songs became the album."

The debut album for RCA was Working Class Dog, released in 1981.  What was to follow was nothing short of stunning.  That year saw Rick's first U.S. number one single, "Jessie's Girl," a double platinum result for the album, a sold out U.S. tour, and a Grammy award for best male vocal.


source:   www.MelodicRock.com, phone interview, June 1997