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Lords of Acid is the
kinky techno project of Maurice Engelen and Oliver Adams that has
earned a cult following with its sexy S&M stageshows,
risqué lyrics, and exciting musical mix of rock and techno.
Lords of Acid began as
one of the dozens of projects in the New Beat
period by Engelen (aka Praga
Khan) and his companions. The first single, "I Sit On Acid,"
had such an impact and lifespan that Lords
Of Acid has grown into a
project with a full career, as opposed to such acts as Shakti, Major
Problem, 101,
Miss Nikkie Trax, Phantasia, and Digital Orgasm, which all had a
considerably lesser life.
"I Sit On Acid" was put together by Engelen, Nikkie van Lierop
(aka Jade 4 U,
Darling Nikkie), Jos Borremans (aka Chris Inger), and Harry van Oekel
(aka Dirty Harry). Their
first gig as Lords of Acid was
in Roeselare, but as the band had only one song, they
borrowed the song "Acid Queen" from another act called Major
Project. For the stage act, Natalie Delaet, a blonde
femme-fatale, was
hired in.
Maurice about this episode later: "Praga Khan's 'I Sit
On
Acid' came out in 1988 and it was a real hit in Belgium. In a way
Lords
of Acid was just a project name, and I had a lot of projects at
that
time. Most of these projects were successful for brief periods of
time, but "I Sit On Acid"
kept selling. Every month (over a period of three years) we
shipped 300
copies to the States. I knew that there was something going
on. In
1991, I got a call from Caroline Records in the US and they asked me to
write a Lords of Acid album
for the States. In those days I was very
busy because Praga Khan was taking off big time in Europe, so I decided
to record this first Lords of Acid
album in four weeks' time. That was the only spare
studio time that I had available. And see what happened.
Strangely
enough, we didn't realize what was happening because we were touring as
Praga Khan all over the world."
Between first album Lust
and second album Voodoo-U---
released on
a sub-label of Rick Rubin's American Recordings--- a new vocalist was
found in Lady Galore (who would later gather more fame as a member of
Pussy Galore), and the sound became a lot more industrial without
losing the danceability. The primary ingredients were still
"excellent
techno-rhythms and plenty of sex," but now "screaming guitars" and
"Lady Galore's screaming & yelling" were also prominent. The
record gathered some
attention because some of America's more prudish retail outlets refused
to display the
album sleeve, festooned as it was with naked she-devils.
Consequently, a version
of this album exists with a censored cover, on which innocent graphics
are placed on top of the characters' sensitive
body parts.
The Voodoo-U
track
"The Crablouse" is an exemplary illustration of the foulmouthed humour
of the band. The song got some remixes on its maxi-single with titles
such as "No Visible Symptoms," "It's
there to stay," and "the Seven Year Itch." The lyrics to it--- on
a
less subtle note--- read, in part, "Here's a message for the girls
about vaginas
and the consequence of fiddling with a partner. Mind your labia;
they're
never out of danger, if you're gonna go to bed with a stranger.
Creatures might be hidden in his pubic area; it's the crablouse that's
out to get ya! It's gonna grab you by the pubic hair. Shake
your pussy
when the bastard's there. It's there to stay, sucks all
day. It's there
to bite, my parasite."
Engelen, about these kinky lyrics in an interview with Whatever magazine: "The
US record company people asked us many times to be a little more
careful with the lyrics, but when we're in the middle of the recordings
I don't really give a shit about that. I just go with the
flow. I think our music really helps people explore their
sexuality. It helps
people to get out of their shyness so they know it's okay to be
sexy.
When we write our music it's always a bit funny and not very serious so
people know that sex can be fun. The thing I really like is to
write
lyrics that can be translated in any direction. The best example
is
"Pussy." An eight year old child who listens to the song with
innocent
ears will never ever get the idea that we're singing about a
vagina.
For the kid it is completely harmless to listen to the song." (MATT RADIO editorial comment: we'd
like to bitch-slap any parent who'd put a Lords of Acid track within ear's
reach of his child.)
For Voodoo-U,
Praga Khan wrote the music with Oliver Adams
and Carl S. Johansen (the alter ego of Ludo Camberlin), with lyrics
written by
Nikkie. For the Lords' third CD, 1997's Our Little Secret,
there was another treatment : Praga &
Oliver recorded the entire album instrumentally, and later on Nikkie
and Maurice added lyrics. For the US tour that followed,
Nikkie went on stage with the band for the first time. She wrote
about this in her diary: "Went on tour with Lords of Acid. Why oh
why did I ever let ex-boyfriend talk me out of it? It was
fantastic!
This was like nothing else I’d ever done! Finally I got to see
who
those Lords fans were. I have to say, I was a little shocked at
how
seriously Americans took this music. Our songs were supposed to
be
tongue-in-cheek, but they thought different! One of these people
had
the whole Voodoo-U
cover tattooed on his chest and belly (imagine a
body covered in demonesses). There were slaveboys and girls in
chains… then there was this fashion thing where people get fangs made
at
the dentist’s! That totally grossed me out! But I would do
it all again!"
Nikkie never did it again, though, because her
collaboration with Praga & Oliver ended. In her place came former
showgirl Deborah
Ostrega. During a tour in 2000
that had both Praga Khan and Lords of
Acid
on the bill, Ostrega certainly got the blessing of Penthouse: "Ostrega
doesn't wear panties, which became quite evident to 1,500 fans when her
latex dress crept over her midriff, exposing her nicely manicured bush.
The sold-out crowd screamed its approval while Ostrega howled the words
to "Undress and Possess," seemingly unaware that her Belgian beaver
was openly on display."
But Praga Khan offers a caveat. "Let's be very clear: we
never strip,
and we do not fuck on stage. What happens in the audience is a
different matter, though. I must confess, I sometimes have a hard
time
concentrating on my keyboard. As befits our reputation, there are
often police officers next to the stage, so we gotta be careful what we
do. The Lords of Acid
are in the
first place still about humour. If we sing
about pussy, then we do that with a smile. And if you look at
what
happens in the discotheques on the weekends or on late-night tv, all
that is much more extreme than what the Lords of Acid bring."
In 1998-1999 the band released Expand your Head, a cd with
all kinds of remixes of previously released Lords tracks, and Heaven is an Orgasm, a
limited edition album for the fans. It wasn't until 2001 that Lords of
Acid came up with a "regular" album again, Farstucker. This
was, strangely enough, the first Lords release that was promoted in
Europe also. It contained track titles such
as "Scrood Bi U," "Pain and Pleasure Concerto," "Lucy's F*ck*ng sKy (A
Treatise on the Practical
Methods Whereby one can)," and "Lick my Chakra."
source: Dirk Houbrechts, The Belgian Pop &
Rock Archives |